Marianne Fairbanks

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home
Selected Works
More Air-like than Water
Structures and Gradations
Impractical Weaving Suggestions
MUNICIPAL
window weavings
knot series
Knot No. 1
Rooting Chicago
Weaving Lab
Solar Textiles
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Mess Hall
Noon Solar
Curation - Lula Cafe
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knot series

each 18" x 23"

paint, nylon and tape on reflective material

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Featured

Feb 22, 2019

I will be teaching at Arrowmont!

Feb 22, 2019

Weaving Lab will be hitting the road this summer! Chicago, Demark and Norway!

Feb 22, 2019

Aug 21, 2018

Woven Together: The Influence of Sherri Smith

Aug 21, 2018

Solo Exhibition: More Air-like than Water

Aug 21, 2018

Jun 22, 2018

Teaching at Ox-Bow!

Jun 22, 2018

Aug 7, 2017

Fiber Arts Designer Developing Fabric That Can Harness Sun's Energy

Aug 7, 2017

Jul 22, 2017

Public Talk in Asheville NC at CCCD!

Jul 22, 2017

Jun 5, 2017

Tie Up, Draw Down at the Center for Craft Creativity and Design

Jun 5, 2017

90% of weaving happens before thread ever touches the loom. Indeed, the accumulation of warp over weft is only one of many actions, including drafting/design, winding, measuring, looping, counting, dyeing, knotting, setting tension, and others. These actions formed the inspiration and starting point for this exhibition.

Tie Up, Draw Down explores weaving as a source for experimentation across media, genres, concept, and scale. Of the fifteen contemporary artists included in this exhibition, many hybridize weaving technologies, weave “the wrong way,” or adapt and innovate weaving processes to encompass new media. Others do not weave at all, but find a rich avenue of inquiry within aspects or stages of weaving’s complex field.

Artists include: Polly Apfelbaum, Joell Baxter, Jen Bervin, Francesca Capone, Liz Collins, Marianne Fairbanks, Del Harrow, Sheila Hicks, LoVid, John Paul Morabito, Danielle Mysliwiec, Meghan Price, Molly Smith, Laurel Sparks, and Margo Wolowiec.

Tie Up, Draw Down is curated by The Center for Craft, Creativity & Design’s (CCCD) 2017 Curatorial Fellows Natalie Campbell and Carissa Carman and organized by CCCD.

The CCCD Curatorial Fellowship is made possible by the John & Robyn Horn Foundation. CCCD is supported in part by a grant from the N.C. Arts Council, a division of the Department of Natural and Cultural Resources. Additional support for Benchspace programming provided by Sara and Bill Morgan.

Jun 5, 2017

Apr 7, 2017

Solo show at the Institute for Labor Generosity Workers and Uniforms

Apr 7, 2017

Feb 2, 2017

Published Journal Article: All-Textile Triboelectric Generator Compatible with Traditional Textile Process

Feb 2, 2017